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February 15, 2017
Tips on Getting Awesome Drone Videos
When shooting drone videos it is vital to go slow because it is more cinematic and gives the viewer the impression the video was shot from a huge platform like a helicopter and it subconsciously increases the value of the production and makes the shot appear more crafted and controlled. The pilot needs to go easy on the control sticks on the remote and they can use gradual movements and to accelerate and decelerate slowly which reduces the amount of shaking of the camera due to quicker movements and reduces the odds of having disruptions on the footage. The video shooter needs to preplan for as many aerial shots as they can by scouting the filming location before the shoot so that they can factor in various limitations in the area. Planning for what one will need ahead of time will aid to optimize the drone’s battery life so that they do not run into a circumstance that might miss a shot that they needed because the batteries have no power.
It is vital to state that shooting drone moves can be done the same way big budget shots are made in movies by having two axes of movement at the same time like flying backward and downwards at the same time at a steady rate. Side to side movements or strafing also works well for showing landscapes from various perspectives and since most scenes are shown on aerial videos when the drone is moving only forwards of backward a strafing shot may stand out and it can also reveal the cool features in the landscape.
Orbits can be done by making the drone strafe either to the left or right and by pulling the yaw stick in the opposite direction (the yaw control is the control stick on the left side of the controller which monitors the rotation of the drone). It is vital to go easy on the yaw control, or the pilot will end up spinning too quickly and spoiling the effect.
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A known fact is that fly through shots are very cinematic but they are the riskiest because they rely on the controller screen so as to navigate the drone and unless the person is very confident in their piloting skills they are not worth trying. Gimbal shots can be combined with drone movements o add another dimension to the shots and doing this can give the person three axes of combined movement one of these movements is being able to fly forward and tilting the gimbal upwards to show the landscape.
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The pilot can add depth to the video by taking advantage of extreme parallax effects using trees or other structures closer to the drones and this aids to provide a visual aid to the viewer on how huge the surrounding landscape is.